(no subject)

Thursday, July 20th, 2017 05:36 pm
skygiants: Fakir from Princess Tutu leaping through a window; text 'doors are for the weak' (drama!!!)
[personal profile] skygiants
Death of a Pirate: British Radio and the Making of the Information Age is a fairly fascinating book that's trying to do a lot of things at once: the book starts out with the dramatic recounting of MURDER!!! and then immediately takes, if not a deep dive, at least a vigorous swim through such varied topics as the history of British radio and the BBC, Keynesian economic philosophy, copyright limitations, and the founding of Sealand in order to contextualize it.

Once we get back to the story of the murder itself, however, it turns out: IT'S BONKERS. The principals in the case are two pirate radio impresarios in 1966. Oliver Smedley, An Ardent Free-Trade Capitalist, was running a station called Radio Atlanta on a boat off the coast; Reggie Calvert, A Dance Hall Impresario, had taken over an entire abandoned British navy fort called Shivering Sands in the Thames Estuary and staffed it with a rotating encampment of youths running a station called Radio City. At one point Smedley and Calvert were going to have a merger, but then they had an ACRIMONIOUS BREAKUP spurred on in part by:

- the fact that Smedley was supposed to give Calvert a shiny new transmitter and instead provided an old one that never worked
- the fact that Smedley never paid all the bills he had promised Calvert that Radio Atlanta would pay
- the fact that Calvert got sick of all this and decided to merge with another station instead

The reason for all these pirate radio stations on boats and naval forts, by the way, is because in 1966 there was no legal pop radio in the UK (as explained, extensively, via the history of radio and Keynesian economic theory etc. that makes up the first half of the book). Because the pirates were technically outside of UK territory, on the other hand, they could technically get away with doing whatever they wanted, or at least the government like "it will be way too embarrassing to launch a huge naval raid against a bunch of youths on was a fort with a radio transmitter, so let's not."

HOWEVER, the fact that everything was happening outside of territorial waters where British laws and police had no jurisdiction BACKFIRED when:

- Ardent Free-Trade Capitalist Smedley decided he was so mad that Calvert had made a deal without him that he was going to MAKE SURE that the deal could never go through
- he was going to GET BACK HIS PROPERTY [the transmitter that had never worked]
- so he sent an ACTUAL OCCUPYING FORCE composed of out-of-work dockworkers to Shivering Sands, stole a bunch of key broadcasting equipment, took a bunch of it back to the mainland, and left a bunch of toughs to hold everybody who was on the station at that time hostage!!!
- (when they met the invading force, the hostage broadcasters were like 'welp' and made everybody tea)
- ("the vessel had to return briefly to pick up [the contractor who recruited the gang], who had been left behind drinking his tea")
- and then Smedley went to Calvert and his partner, an actual professional broadcaster, and was like 'I will not let you broadcast from there again or finish making your deal unless you pay me FIVE THOUSAND DOLLARS'

Naturally, everyone involved was like 'wtf????' and refused to pay Smedley a dime; Calvert threatened to involve the police but the police were like 'ummmmmm technically we can't do anything for the same reasons we haven't been able to stop you from broadcasting;' Calvert then made a whole bunch of other even wilder threats; and all the hired dockworkers sat around cheerfully charging Smedley for hostaging operations which he was rapidly running out of money for.

Anyway, in the middle of all this, Calvert drove out to Smedley's house in the middle of the night and started screaming at him, and Smedley shot him and then claimed self-defense and that his HOSTILE OCCUPATION OF A POP RADIO STATION was just a little joke gone wrong! No harm no foul if only Calvert hadn't been so UPSET about it! It did help Smedley's self-defense case that Calvert happened to be carrying A FAKE PEN FULL OF NERVE GAS at the time, which apparently, according to his family, he always carried around just for safekeeping.

...so the author's point in writing about all this seems to be that a.) this incident was crucial in getting the pirate radio boats shut down and the formation of the current BBC radio system that includes actual pop radio, b.) that this is all a forerunner of later copyright battles and offshore data centers and so on, c.) pirate-radio-on-boats in the 1960s was a WILD TIME. About the latter, at least, he is most surely not mistaken.

(This has nothing to do with the main brunt of the book but I have to spare a mention for Radio City's chief engineer, who later was hired by the mob! to perform an assassination attempt!! using a spring-loaded hypodermic needle full of cyanide!!! in what it turns out was ACTUALLY a sting operation by the U.S. Treasury department who picked the hapless Radio City engineer to act as the assassin because "he needed the fee while being clearly incapable of killing anybody"!!!! This whole incident gets two pages in the book because it's somewhat irrelevant to the author's argument but seriously, where is this guy's movie?

For the record, the same mobsters then tried to intimidate Reggie Calvert's widow into selling them the remnants of the station and she was like 'lol no' and they were like '....well, when a lady knows her own mind, she knows her own mind! No hard feelings.')

Middle Eastern food?

Thursday, July 20th, 2017 05:51 pm
cos: (Default)
[personal profile] cos posting in [community profile] davis_square
We were in Davis Square a couple of evenings ago when someone said they wanted Middle Eastern food. Other than Amsterdam Falafel, I couldn't think of anywhere right there. I know Sabur in Teele Sq, which is kind of Middle Eastern (and pretty fancy). Googling around didn't turn up anything else in Davis Square, though I found a Lebanese place on Mass Ave nearby which I don't remember trying. Anyone know of any Middle Eastern food in Davis Square, or others a short walk away that you like?

WEDDING QUILT OMG SO HAPPY

Thursday, July 20th, 2017 10:11 pm
happydork: A graph-theoretic tree in the shape of a dog, with the caption "Tree (with bark)" (Default)
[personal profile] happydork
A few years ago, I watched my BFF, [twitter.com profile] amymariemason, spend a year making a beautiful wedding quilt for a friend of hers. I’m not saying my jealousy was the only reason I married [personal profile] such_heights, but I coveted that quilt, oh my goodness I coveted it so hard.

So when [personal profile] such_heights and I got engaged in August 2014, I asked my BFF if she would, maybe, perhaps, make us a wedding quilt, too?

It’s now July 2017, the wedding quilt is finally finished, and OH MY FUCKING GOD IT IS THE MOST AMAZING THING IN ALL EXISTENCE COME LOOK HOW TALENTED MY BFF IS SHE’S THE GREATEST THIS IS THE GREATEST COME LOOK COME LOOK COME LOOK OMG!

Many photos of the world's greatest quilt )
desireearmfeldt: (Default)
[personal profile] desireearmfeldt posting in [community profile] davis_square
Anyone else getting constant flyovers most days and (more annoying) 2-4 large, low, LOUD flyovers between 10:45 pm and midnight every night?

City of Somerville advises you to call Massport and also 311 to report your complaint: http://www.somervillema.gov/departments/programs/reporting-airplane-noise

Massport politely took my complaint and promised me a written report.  311 said "people should totally call us about issues, no one ever calls us!", politely took my complaint, and said that various elected officials (including Rosetti, Capuano and some third person I'm forgetting, possibly the mayor) have been trying to get this mitigated, but not necessarily to much effect.

from the well-forgotten musical CAT OF THE YEAR

Wednesday, July 19th, 2017 06:29 am
spatch: [Don Music] (Don Music)
[personal profile] spatch
"Well, you walk around on two legs, that's wonderful."
"What's so wonderful? Your spine is made of rubber, that's wonderful."
"What's so wonderful? First you lick your own butt..."

"OH, THE DIVIDENDS ARE SWEETER FROM SOMEBODY ELSE'S TECH STOCKS--
OH, THE SAND IS ALWAYS NEATER IN SOMEBODY ELSE'S LITTER BOX"


exeunt, pursued by kander and ebb

(no subject)

Monday, July 17th, 2017 08:54 pm
skygiants: C-ko the shadow girl from Revolutionary Girl Utena in prince drag (someday my prince will come)
[personal profile] skygiants
[personal profile] genarti read The Privilege of the Sword for the first time recently, because I had been telling her to since 2008, and then kept trying to talk to me about it. Unfortunately at this point I did not remember most of the things she was trying to talk to me about because I hadn't read it since 2007, so eventually I also had to reread it in self-defense.

It turns out this is still and probably will always be my favorite Ellen Kushner book. The central plotline follows Katherine, a cheerful young lady who gets invited to restore the family fortunes by going to live with her incredibly weird uncle in the big city and becoming a swordsman!

Unlike many plucky heroines, Katherine does not initially have really any interest at all in cross-dresing or becoming a swordsman. However, eventually she comes to enjoy swordfighting for its own sake, helped along by the mentorship of her incredibly weird uncle's nice ex-boyfriend, the necessity of dueling for a friend's honor, and the discovery that bisexuality and gender fluidity are potentially relevant concepts to her teen coming-of-age story.

...that's the A-plot! B, C, D, E, and F plots include:

- Katherine's mom's reparation of her relationship with Katherine's weird uncle
- Katherine's weird uncle's actress girlfriend's dreamy new cross-dressing fantasy Broadway show
- Katherine's weird uncle's unfortunate friendship breakup with his mathematician bestie
- Katherine's bff's attempts to overcome trauma from rape-by-fiance by engaging in romantic gay roleplay via letter-writing
- Katherine's other bff's attempts to overcome trauma from an abusive childhood by engaging in competitive voyeurism
- Katherine's bff's gigolo cousin's star-crossed romance with a scriptwriter/potter who is on the run from her abusive in-laws who do not appear in this book
- trade routes?? politics?????

I'm pretty sure that's not all the plots. There are so many plots in this book. It's fine because the plots are barely the point at best, the point is coming-of-age and life after trauma and thumbing your nose at Societal Conventions while getting to know and like yourself! I especially enjoy how in the end, spoilers )

(Note: emo murderous Alec from Swordspoint drives me up a wall in his own book, but is significantly more tolerable to me when he's just Katherine's incredibly weird uncle. I mean he still drives me up a wall here but it's much funnier when he's driving everyone else up a wall too.)

Remix...and looking ahead?

Monday, July 17th, 2017 12:47 am
gramarye1971: Old Ways (TDIR: Old Ways)
[personal profile] gramarye1971
Signed up for [community profile] remixrevival, because Parallels doesn't seem to be running this year and I'm in need of a midsummer fic exchange to boost creativity levels. More people should sign up (especially if you're nominating anime/manga, because I am happy to adjust my own offerings if people do)!

Writing that first sentence, though, made me stop and ponder: it's a bit past the time for it this year, but would people participate in an AO3-coordinated Dark Is Rising fic exchange next May/June? Perhaps with reveals timed for Midsummer's Day? I may post about it on [community profile] thedarkisrising, but since a significant body of that community overlaps with my flist, it's worth doing a straw poll for it here.

(no subject)

Sunday, July 16th, 2017 09:37 am
skygiants: Nellie Bly walking a tightrope among the stars (bravely trotted)
[personal profile] skygiants
Rose Melikan's The Blackstone Key is one of the few books I've grabbed at random off a library shelf recently without ever having heard of it. Then I immediately grabbed the next two books, The Counterfeit Guest and The Mistaken Wife, so I guess they were doing something right, although also several things not right.

These books are deeply fluffy YA-ish Regency espionage hijinks starring Mary Finch, an impoverished orphan schoolteacher turned (by the end of the first book) surprise heiress with an unexpectedly encyclopedic knowledge of British law and an enthusiastic penchant for Adventures! !! !!!

Captain Holland, the series love interest, is an artillery officer who is good at mechanics and up on new military technologies. Other salient characteristics include:
- a terrible tendency towards sea- and carriage-sickness
- an ongoing resentful inability to understand all the clever literary and historical references being tossed around by the rest of the characters
- CONSTANT MONEY STRESS

I'll be honest, he won me over during the first book when Mary's like "am I a bad person for worrying about how the outcome of all this espionage will affect my potential inheritance?" and he's like "DEFINITELY NOT, if anybody tells you they don't stress about money THEY ARE LYING."

Rose Melikan is a scholar of the period and very good on British military history. She is not so good on plot. The first book is complete, hilariously convoluted nonsense involving SMUGGLERS and CIPHERS and MYSTERIOUS WATCHES and a SURPRISE CHANCE-MET DYING VILLAIN. It turns out that spoilers )

The second book is probably my favorite and definitely the least nonsense plot-wise; it's about the 1797 naval mutinies, and Our Heroine gets recruited to spy on a plotter because she happens to know his wife and will likely be in his house, which does not stretch suspension of disbelief too very wildly. (It's also sort of entertaining to watch the author do a careful dance between what I suspect is a personal sympathy for unionization and strike tactics and the fact that Mass Military Mutiny Is Definitely A Bad Thing, Our Characters Must Stop It At Any Cost.)

...then in Book Three we are expected to believe that an actual professional spy sees no better alternative for an important espionage mission than taking a well-known youthful heiress and society figure whose salient skills are, as aforementioned, a knowledge of British law and an enthusiasm for Adventure, and sneaking her off to Paris in a fake marriage with a clueless American painter while her respectable household desperately tries to pretend she's in London the whole time. At this point suspension of disbelief goes straight out the window again.

I have mixed feelings about Book Three in general; it's the darkest of the three and several sympathetic characters die as a direct result of Our Heroes' espionage endeavors including infuriating spoiler ) I'm not here for that! I'M HERE FOR THE HIJINKS.

Peter Wildeblood and 1950s queer British history

Saturday, July 15th, 2017 09:26 pm
happydork: A graph-theoretic tree in the shape of a dog, with the caption "Tree (with bark)" (Default)
[personal profile] happydork
I watched A Very British Sex Scandal last night — it’s a great docu-drama made in 2007 about the Wolfenden Report and the Montagu Affair, largely following Peter Wildeblood. The Montagu Affair was a very high profile case in the 1950s in which three men were tried for “homosexual acts” — it’s credited with helping to change public opinion and, eventually, the law. Wildeblood was one of the men tried.

I strongly recommend the film. The docu bit is fascinating — the contributors are queer men born in the 20s and 30s who watched this all play out, including, rather amazingly, Lord Montagu himself.

The drama bit is sweet, compelling, understated, and doesn’t take too many liberties. I was also particularly touched by the context-setting voiceover, which provided us with such gems as, “In 1952 The Daily Mail was a serious establishment newspaper. Its opinions were highly respectable.”

After watching the film, I immediately bought Peter Wildeblood’s Against the Law, first published in 1959, which is largely about Wildeblood’s experiences of being gay, the Montagu Affair, and Wildeblood’s subsequent time in prison. In it he argues equally hard for the decriminalisation of homosexual acts and for penal reform in general. It’s reckoned to be the first sympathetic book about male homosexuality to reach a wide audience in Britain.

It’s hard to overstate how brilliant and brave this book is, and I would have loved it for that no matter how it was written — but it’s also such a clear, spare, honest, witty, engaging piece of writing, one that leaves me feeling both in breathless awe of this hero of a man and, at the same time, like it’s only an accident of space and time that we aren’t friends. When I finished it, I missed him.

Yes, so, I fucking love this book and I recommend it even more strongly than the docu-drama. (I think there’s a new docu-drama coming out pretty soon, actually, called Against the Law? AVBSS was made for the 40th anniversary of decriminalisation, and AtL is for the 50th anniversary. So if you’re only going to watch the one docu-drama, you’ll soon have a choice.)

My version has an intro written by Matthew Parris which I liked a lot and found very interesting but at the same time ended up disagreeing with quite strongly in places. (Which is, tbf, my normal reaction to Matthew Parris.) If you get the same version, I’d suggest not reading the intro until after you’ve read the book itself.

I also wanted to share with you the absolute gut punch I got when reading the very opening paragraph of the book.

Sometimes, when a man is dying, he directs that his body shall be given to the doctors, so that the causes of his suffering and death may be investigated, and the knowledge used to help others. I cannot give my body yet; only my heart and my mind, and trust that by this gift I can give some hope and courage to other men like myself, and to the rest of the world some understanding.


It’s. I don’t know. I read that, and I was struck by how very different it was from David Wojnarowicz’s If I die of AIDS - forget burial - just drop my body on the steps of the FDA — but at the same time, by how strong the thread is that connects them.
mem_winterhill: (Default)
[personal profile] mem_winterhill posting in [community profile] davis_square
I'm sensing a new civic engagement period underway--which I hope will persist. But it may be instructive to hear about previous periods of this as well.

Via Mike Connolly on twitter: https://twitter.com/MikeConnollyMA/status/885681479883395072

http://www.cambridgeday.com/2017/07/13/radical-gathers-activists-from-60s-today-to-look-at-the-history-and-future-of-protest/

TL,DR + Event details: Historians, 60s activists, current activists will speak to activism in our area and in their eras. "There’s one more treat in store: In addition to panel discussions, there will be a free custom ice cream flavor from Toscanini’s made in honor of the 1960s." I have no idea what 60s ice cream is.

July 29
11:30 a.m. to 3:30 p.m.
lecture hall of the Cambridge Main Library
449 Broadway, Mid-Cambridge
[personal profile] ron_newman posting in [community profile] davis_square
Because of threatened rain tomorrow night, the Friday night part of ArtBeat, in Seven Hills Park, will instead take place Saturday night, after the regularly scheduled Saturday daytime ArtBeat events.

Full information here: http://somervilleartscouncil.org/artbeat/2017

(no subject)

Wednesday, July 12th, 2017 11:26 pm
skygiants: Hazel, from the cover of Breadcrumbs, about to venture into the Snow Queen's forest (into the woods)
[personal profile] skygiants
With Sorrow's Knot I think I have now finished reading everything from Erin Bow's backlog, which is good in that I have consistently enjoyed it all, but bad in that I have no more Erin Bow backlog.

All of Erin Bow's work (I can now say, having read all of it) is in some way about death and undeath and the wildly unhealthy ways in which human beings react to loss; however, Sorrow's Knot is EVEN MORE explicitly about this than most. The book focuses on Otter and her friends Kestrel and Cricket, who are all pretty sure they know what they're going to do when they grow up: Kestel is going to be a ranger, Cricket is going to become a storyteller (despite being a boy and getting a certain degree of side-eye for deciding to stay in the women's village at all -- everyone knows it's dangerous in the forest and boys don't have any power to protect themselves with, sorry boys!), and Otter is going to train with her mother Willow and Willow's teacher Tamarack to learn the very important job of being a binder, aka Person Who Stops The Dead From Coming Back And Killing Us All.

Then Tamarack dies -- and then Willow abruptly and without explanation decides she doesn't want Otter becoming a binder after all -- and then the knots that stop the dead from coming back to haunt the living begin unraveling -- and then more people die -- and then Otter and friends get to go on a road trip! It's not a super fun road trip and it unsurprisingly features several close encounters with the dead.

I really liked the worldbuilding and the slow and careful work that Bow does to build out the daily lives of the characters and the culture -- it's a North American-based world without European influence, and I'm certainly not qualified to comment on how well it's done, but to me it felt interesting and non-obvious. Also, Otter's world is almost entirely composed of women and everything revolves around Significant Mother-Daughter Relationships and it's great, although Erin Bow sadly had not yet discovered lesbians as of this book. (Though I feel like perhaps this is the book that led to her discovering lesbians? Like, I do wonder if someone came up to Erin Bow and pointed out that she'd written a matriarchal village where Actual Heterosexual Romance is explicitly rare and still somehow only featured Actual Heterosexual Romance onscreen, and Erin Bow was like 'WHOOPS OK SORRY I'LL MAKE IT UP TO YOU' and then we got The Scorpion Rules. Which, I mean, if this is the case, I guess I'm not complaining, I'm very happy to have The Scorpion Rules!)

I also really liked the importance of stories and storytelling and lore and bits and pieces of information shared and not shared, but the pacing of the way those stories are shared with the reader sometimes felt a little off to me; there were occasionally times, especially towards the end, when I felt like the book was leading me to expect a Big Reveal that had already been revealed. But, I mean, the point of the book is not really to Reveal, it's to examine grief -- and as I have mentioned above, Bow is exceptionally good on grief.

My Readercon Schedule

Wednesday, July 12th, 2017 09:36 pm
rushthatspeaks: (sparklepony only wants to read)
[personal profile] rushthatspeaks
I don't expect to make the convention Thursday evening.

Friday July 14

6:00 PM 6 Terrible... but Great. Lila Garrott (leader), Bart Leib, Natalie Luhrs, Sonya Taaffe, Vinnie Tesla. Our panelists muse on books that are really bad but in an amazing way! Genevieve Valentine's term "shitmazing" may be appropriate here. What makes something both terrible and great? Are these works worth analyzing and perhaps even emulating, or do they exist simply to be enjoyed (if that's the word) on their own merits (if that's the word)?

This should be fun. Anybody else remember Lauren Baratz-Logsted's Crazy Beautiful (HOOKS FOR HANDS), or John Boyd's The Pollinators of Eden (KILLER SEXY PSYCHIC SPACE TULIPS)?


7:00 PM C The Works of Tanith Lee. Lila Garrott, Sonya Taaffe, Emily Wagner. Tanith Lee (1947-2015) was a supremely talented writer who worked in numerous genres and forms. She wrote children’s novels (The Dragon Hoard (1971)), Vancian fantasy (the five-novel Tales from the Flat Earth series), historical romance (The Gods Are Thirsty (1996)), fantasy/horror (The Book of the Damned (1988)), science fiction (the four-novel Birthgrave series), thriller/horror (the three-novel Blood Opera series), far-future science fiction (the Drinking Sapphire Wine duology), and more, including erotica, Gothic romance, and straightforward horror. Lee was clever, manipulating genre tropes and clichés in skillful and unusual ways. Lee was poetic, writing of everything from sex to childhood in lyrical fashion. And she was prolific, writing over one hundred novels and collections. She was twice nominated for the Nebula Award, ten times for the World Fantasy (winning twice), and six times for the British Fantasy Award (winning once), and was given the Grand Master Award from at the World Horror Convention in 2009 and the Life Achievement Award at the World Fantasy Convention in 2013. As critic John Clute wrote, "Lee encompassed every genre of the fantastic... with supple attentiveness and an ongoing exuberance of invention which transcends... genre constraints." Join us to celebrate her work.

I wrote the entry on Lee in The Encyclopedia of Women in Science Fiction and Fantasy, which is one of the more random line items on my resume. I always enjoy talking about Tanith Lee.


Saturday July 15

2:00 PM C Lines of Consent in Fiction. Samuel R. Delany, N.S. Dolkart, Lila Garrott, Kiini Ibura Salaam, Josh Jasper. In science fiction and fantasy, consent is often handled in fuzzy, imprecise ways. Obvious scenarios of non-consent, such as the enslaved house elves in the Harry Potter books, are easily identified as problematic, but less is said about magical destiny that compels an ordinary person to become a hero; inherited magic, rank, or family feuds that empower or endanger a character without their consent; soul mates, who are forced to love and be attracted to each other; werewolves compelled to change shape under the full moon; and other strictures that are so common we've come to take them for granted. This panel will discuss work that either explicitly deals with consent or appears oblivious to its relevance, and will explore the writer's responsibility when placing characters in a scenario (or plot) that hinges on questionable consent or non-consent. Content note: this panel may explicitly discuss violations of consent and their consequences. For the purposes of this panel, trigger warnings and content notes are assumed to be valuable tools that assist the reader.

I haven't seen a convention have this panel before. It's an important panel. Let's hope we can do it right-- given the lineup, I should think so.


3:30 PM B Reading: Lila Garrott. Lila Garrott. Lila Garrott reads an excerpt from their novel-in-progress, The Journeyers.

PLEASE COME YOU'LL LIKE IT. The book is very hard to describe, especially since it's not like I've sat down and tried to write a blurb for it yet, but I promise it is enjoyable.


Sunday July 16

12:00 PM 6 Disturbed by Her Song: Gender, Queerness, and Sexuality in the Works of Tanith Lee. Steve Berman (moderator), Lila Garrott, Sonya Taaffe. Memorial Guest of Honor Tanith Lee thoroughly explored gender, queerness, and sexuality in her fiction, creating cultural pansexuality in the Flat Earth series and queering history in the Lambda Award–winning Disturbed by Her Song. Lee wrote lush, sensitive, poetic prose about people unrestricted by gender roles or cultural norms, and she did it for forty years. Were there any missteps along that span? Does her “channeled” writing as spectral lesbian author Esther Garber (and Esther's pansexual half-brother, Judas Garbah) stand out from the greater body of her sexually charged work? How did she handle her portrayals of trans people and their sexuality? Our panelists will discuss queer themes, sexual exploration, and sexual fluidity in Lee's work.


1:00 PM 5 Clothes Make the Story. S.A. Chakraborty, John Chu, Lila Garrott, Kathleen Jennings, Shariann Lewitt. Costuming says a great deal about era, wealth, status, and taboo in both the setting of a work and the time and place where that work was created. It's frequently discussed in the context of visual media, but costuming can be just as important in literature, and it's a vital part of worldbuilding for speculative works. This panel will dig into the implications of clothing choices in speculative fiction, how they age as the work ages, how they interact with diverse readers' expectations around concepts such as modesty and gender, and their use as signposts to help the reader understand how to approach the created world.

An astonishing amount of post-modernist theory centers around clothing, and I'd like to see that transfer to the conversation of SFF. Lo, Barthes did not Fashion System in vain.


2:00 PM 5 Imagining a New Normativity. Lila Garrott, Shariann Lewitt, Alena McNamara, Tui Sutherland. In the varied settings of fantasy and science fiction, writers have an opportunity to model characters who don't make familiar assumptions related to personal characteristics such as gender, sexuality, politics, race, and religion. Some speculative worlds have new defaults, such as the setting of Rose Lemberg's "Grandmother-nai-Leylit’s Cloth of Winds," in which women are expected to form families with other women; in others, the default is to make no assumption at all, as in the world of full gender parity in Tanya Huff's Quarters series. This panel will explore some of the new norms of recent works, and discuss techniques for writers interested in creating worlds with new notions of normativity.

An object perpendicular to another object is said to be normal to it. This is pretty much how I feel about the concept of "mainstream"-- perpendicular. My day-to-day life, meanwhile, is apparently so unimaginable that the details of it don't come up in art, which is ridiculous.


Also I will be around generally, and [personal profile] gaudior and Fox will be there on Sunday, though I'm not sure yet at what time or for how long.

I look forward to seeing a lot of you there!

Flood issues in Medford

Wednesday, July 12th, 2017 08:44 pm
gingicat: drawing of me based on wedding photo (Default)
[personal profile] gingicat posting in [community profile] davis_square
Hello, this is Captain Barry Clemente with an informational message. DPW will be working during the night due to the rain and flooding. They are available at 781-393-2445 and will respond to any flooding in the streets. If you have an emergency, call 911. Thank-you.

August 2016

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